A digital platform that hosts student and faculty projects for ARCHIVE, the upcoming ACSA online exhibition celebrating 100 years in architecture education.

UPLOAD YOUR WORK to compete for special recognition by guest curators, have your work as an online portfolio, and show people everywhere how architecture schools are doing things that matter.

Introduction
Launching in 2012, ARCHIVE is a digital platform that will host faculty and student projects and stories so that people outside of our community can experience the energy of architecture school. Guest curators will review work for special recognition, participants can show work as online portfolios, and people outside of architecture schools can discover the relevance, diversity, and breadth of architecture as a discipline and culture. The ARCHIVE DROPBOX is the beginning of the evolving ARCHIVE interface.

Curator
The ARCHIVE curator and creator is Maia Small, an architect, urban designer, and educator based in Rhode Island. For more information on her office, visit www.thurlowsmall.com. She was hired by the ACSA to curate the ACSA100 online exhibition project after a national search.

Contact
Curatorial or submission questions can be forwarded to the curator at info@archive100.org.
Technical questions can be forwarded to: admin@archive100.org.

Privacy Notice
All material posted on this site is for public viewing. A reminder to please respect copyright protection and that plagiarism is a serious academic offense. Any material not deemed appropriate by the curator will be removed.

Recognition of Excellence
ARCHIVE offers a powerful opportunity to highlight and recognize important student and faculty work both to reward its creators and to help people outside of architecture the best of what is going on in architecture schools across the US and Canada.

Awards Program
ARCHIVE has hosted five award competitions to encourage participation. See the front grid for current and past competitions. ACSA Student Competition entries and winners also will be automatically uploaded and included for presentation.

Guest Curation
Beginning in March 2012, guest curators will be invited to recognize specific student and faculty work as examples of larger contemporary patterns of study.

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Schools currently represented through work on ARCHIVE:

Alexandria University
American University Dubai
American University Sharjah
Appalachian State University
Arizona State University
Ball State University
Bartlett
Boston Architectural College
Cal Poly Pomona
California College of the Arts
California Polytechnic State University
Carnegie Mellon University
Catholic University of America
Clemson University
Columbia University
Cornell University
Dalhousie University
Drexel University
Fairmont State University
Florida A & M University
Florida International University
Georgia Institute of Technology
Georgian Technical University
Hampshire College
Harvard University
Illinois Institute of Technology
Iowa State University
Judson University
Kansas State University
Lawrence Technological University
Louisiana State University
Louisiana Tech University
Massachusetts College of Art and Design
Massachusetts Institute of Technology
McGill University
Miami Dade College
Mississippi State University

All ACSA member schools
can be found here.

MOSAÏQUE DU SEL [cultivating salt : engaging people + land + sea]

POSTED BY: ACSA Competitions 1 year 42 weeks ago
University of Colorado Denver
Faculty / Project Leader: 
Emmanuel Didier and Ann Komara
Student Name: 
Emily Josephs, Sarah Maas and Dustin Farmer
Semester / Date: 
05/2011
Studio / Course: 
Haiti Ideas Challenge

Haiti, devastated by the catastrophic earthquake of 2010, has been left with the pressing burden to mend its already fractured community, ecology, economy, and health. This project aims to establish a new Haitian identity that grapples with its fractured systems. MOSAÏQUE DU SEL re-imagines the salt production process, which interfaces land and sea through harnessing Haiti’s abundant resources (sea, sun, wind, and coast), to cultivate salt and agriculture as the catalyst of change. MOSAÏQUE DU SEL not only produces food, but also an improved livelihood for Haitians using modern salt production techniques. Compared to modern tiered systems, current Haitian salt operations create a product with high impurity levels, iodine-deficiencies, and reduced quantities. Building upon existing salt production practices, this coastal agriculture project will create a diversified living system that fosters community through the production of salt, potable water, agriculture, aqua farming, biodiversity, and biofuel production¬. This modern system will promote a better quality of life and a viable economy, while embracing Haiti’s native ecology and creating a safer place to live. Re-using rubble as a resource to protect against storm surges and support the structure for this system will allow for the regeneration of the urban fabric where rubble once was. This migration of materials illustrates that MOSAÏQUE DU SEL’s coastal focus also has inland implications. Coastal agriculture will change Haitians’ current appreciation of the coast, proving that this land, which is currently an untapped resource, can become valuable once again. Finally, this community-oriented, prototypical system allows for replication and expansion with the potential for integrating eco-tourism into Haiti’s new economy.

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